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vardaesque:

polmos:

Salvador Dali Taking His Anteater for a Walk, Paris 1969

Salvador Dali Not Giving A Single Fuck, Paris 1969

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euo:

The more you know who you are, and what you want, the less you let things upset you.”

Lost In Translation (2003) dir. Sofia Coppola

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WWRD

punksy:

what would rihanna do

(via 17yr)

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supermodelgif:

"The Teenage Gaze" photographed by Petra Collins

(via 17yr)

malekkleston:

IF U EVER FEEL SAD REMEMBER THERE IS A FLOWER CALLED HANGING NAKED MEN AND IT LITERALLY LOOKS LIKE PURPLE MEN WITH THEIR DICKS OUT

image

ISNT NATURE WONDERFUL

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alieniverson:

oh no a boy doesnt like my apperance whatever will i do

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theaveragefish:

why the hell did we all learn the exact words

"the mitochondria is the powerhouse of the cell"

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Last week, I may have gone too far. I’ll explain it quickly. Basically, I found out where he gets his clothes dry-cleaned. Custom ordered the same suit, made with tear-away velcro. And… you can fill in the rest.

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(via gaykinq)

pastel-locks:

Dolce & Gabbana Spring/Summer 2014, Hair Details + Hair colored

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(via gaykinq)

"Her and Lost In Translation are connected to each other. They’re very much on the same wavelength. They explore a lot of the same ideas. This all makes sense since Spike Jonze and Sofia Coppola were married from 1999 to 2003 and had been together for many years before that. Sofia Coppola had already made her big personal statement in regards to love and marriage right when the couple was on the verge of divorce; Her would be Spike Jonze’s answer to those feelings. What makes it even more poignant is that Her never feels resentful or petty. It feels more like a legitimate apology. It’s an acknowledgement that, in the end, some people aren’t meant to be with each other in the long run. Some people do grow apart. Lost in Translation is about a couple on the verge of growing apart, Her is about finally letting go of the person you’ve grown apart with and moving on.”

(via fawun)